Another one of Wade Wilson’s homicidal rampages comes to an end in issue #5 of DEADPOOL KILLS THE MARVEL UNIVERSE AGAIN, out September 27. The limited series from writer Cullen Bunn and artist Dalibor Talajic came as a follow-up to the duo’s wildly popular DEADPOOL KILLS THE MARVEL UNIVERSE from 2012.

Bunn has big plans for the finale this time around and it’s chock full o’ villains. We caught up with Cullen to discuss the specifics of the last issue, why killing Spider-Man hit a high point and how the bloodshed has just begun for the Marvel Universe.

Marvel.com: The last DEADPOOL KILLS THE MARVEL UNIVERSE concluded with Wade entering our world to take vengeance on the real-life Marvel editors like Jordan D. White. What kind of epic ending can we expect this time around?

Cullen Bunn: The ending of this story will be vastly different [from] the tale we told before. We’re not having Wade break through the ultimate fourth wall here. The final issue of the series will see Wade facing off against a number of villains, including those who corrupted his mind and set him against the Marvel heroes in the first place. We’ll be seeing some pretty intense encounters with the likes of Magneto and The Red Skull. The ending of this series, I think, is much more tragic than the end of the previous tale.

Marvel.com: Did you consider any other conclusions than the one you settled on? Can you give us an example or two of rejected ideas? 

Cullen Bunn: I always had this ending in mind. As most readers have guessed, this story takes place in the same world as the classic Wolverine tale, “Old Man Logan”—at least, it takes place in a version of that reality. In this world, Logan killed off most of the X-Men, but Deadpool had a big role to play in the deaths of many of the other heroes as the villains finally got organized and made a play for world domination. At one point, I thought of ending this series with an encounter between Logan and Deadpool in the ruins of the world, but I decided against it, saving that for some time later, maybe. 

Marvel.com: What about this limited series will you miss the most after the release of issue #5?

Cullen Bunn: I love working with Dalibor. He’s such a great collaborator, and I like his dark take on Deadpool. I’ll miss the way he draws Deadpool’s masks and eyes, if that makes sense. I’ll also miss playing with the idea of different comic book formats. Comparing Deadpool’s current adventures to a manga style world or a horror comic or even an ad for pastries was a lot of fun for me, and it was like a walk down memory lane of all the types of comics that have influenced me over the years.

Marvel.com: What are your top three deaths of this series and why?

Cullen Bunn: The death of Peter Parker in issue #2 is a favorite, because it is just so terribly dark. For the same reason, the death of Spider-Woman is dark, but for different reasons. Both of those deaths played so well with the theme of Deadpool seeing sort of light-hearted and zany adventures even though he was doing something awful. And the deaths of Moon Knight and Punisher was fun for me, because Moon Knight put up one hell of a fight.

Marvel.com: Do you think there’s any way Deadpool could come back to kill the Marvel Universe for a third time? If so, how would you go about writing it?

Cullen Bunn: Sure! There’s probably a way to do a similar story in a few years. One of the nice things about this series is that the Marvel Universe has changed so much since the original tale. There’s no telling how much the Marvel Universe will change over the next few years! As for how to write it, I’m not sure just yet. It would have to be vastly different than either of the other stories, and I think I’d have to up the ante in terms of horror and brutality, which may be tough.

DEADPOOL KILLS THE MARVEL UNIVERSE AGAIN comes to a close on September 27 thanks to Cullen Bunn and Dalibor Talajic!

On September 27, Miles Morales swings back in time to barge in and complicate the already overly complex and stressful life of a young Peter Parker. In GENERATIONS: MILES MORALES SPIDER-MAN & PETER PARKER SPIDER-MAN #1, writer Brian Michael Bendis and artist Ramon Perez throw Miles into the world imagined by Stan Lee and Steve Ditko to help him learn just where he fits in to the Spider-Man legacy from the kid who started it all.

“I was very excited about this because the Generations project allows heroes from today to meet their heroes, but at a very specific time in their development,” notes Bendis, “This moment I’ve chosen, as tiny as it is, it’s everything as far as the characters are concerned.” Looks like Peter’s first day of college will be a learning experience for not just one, but two Spider-Men.

As it stands Miles has only ever met the older, wiser and more successful Peter Parker of his time, so it’s understandable that the teenager has come down with a case of “woe is me, no one can possibly understand my solely unique and never felt before struggles of spider life.”

Okay, so Miles may not be that dramatic but you get the gist.

“Miles is always struggling to balance his Spider-Man life, and his Miles life, and his friends, and his family, and his appearance and, you know, Peter doesn’t have any friends, he doesn’t have any parents, he doesn’t have any of these things that Miles is struggling with,” Bendis reminds. Nothing like popping in on a low point in someone else’s life to hit you with a good old-fashioned reality check.

Miles has never seen this Peter before, explains Bendis; it’s a Peter much darker and Miles will see something he can never un-see. And though the writer says seeing the darkness that inspired Peter’s choices at this crossroads in his life will be surprising it will also be a big influence on Miles and his choices moving directly into Marvel Legacy beginning in SPIDER-MAN #234.

Generations: Miles Morales Spider-Man & Peter Parker Spider-Man #1 cover by Ramon Perez

The two stand apart as very different characters leading pretty different lives, especially in the years following the receipt of their powers. Peter has established himself as the independent, go it alone type, while Miles almost always has the help of his friends. Peter stands out as an exceptional student, while Miles remains more, as Bendis puts it, “intuitive.” Peter has not much in the way of accountability when it comes to showing up, whereas there is always someone looking for Miles. Peter gets lost in his own world and disregards those around him, while Miles stays more concerned with keeping up appearances and figuring out how to manage each aspect of his life.

This juxtaposition of Miles and Peter’s character will be showcased in not just the writing of this issue but the art as well, as Perez tries to infuse his own unique style with some Steve Ditko inspired flares: “To capture the spirit of it without imitating it was a big deal to me,” insists Bendis. “That extra level of staying true to yourself yet somehow processing the spirit of Steve Ditko was the challenge we put to Ramon Perez, and boy did he deliver,” adding that as new pages come in he finds himself slow clapping his computer.

So while Peter may or may not think Miles just a delusion caused by a stress induced psychotic breakdown—we’ve all been there, Pete—this meeting will weigh pretty heavily on Miles’ future. “This is the beginning of what I think is a big, surprising year,” teases Bendis, “He’s a young man about to crawl above the influence of his parents, and Uncle Aaron, and Peter Parker and become his own man and that’s pretty exciting, whatever form that takes.”

Catch all the life altering excitement in GENERATIONS: MILES MORALES SPIDER-MAN & PETER PARKER SPIDER-MAN #1 written by Brian Michael Bendis with art by Ramon Perez out September 27.