Each week Star Wars Spotlight combs through the digital archives of Marvel Unlimited to showcase one classic story from that distant galaxy filled with Jedi, Sith, princesses, scoundrels and droids.

By its third year, Marvel’s original STAR WARS series had built up its own fair share of characters and adventures to rival the 1977 feature film that introduced the world to Han, Chewie, Leia, Luke, and the rest. In 1979, Archie Goodwin and Carmine Infantino took a trio of issues—#28-30 to be exact—and zeroed in on smaller stories to wrap up larger plot points and check back in on characters.

In issue #28, Han and Chewbacca finally face came face to face with Jabba the Hut on a rain-drenched planet called Orleon. As longtime readers will remember, a very different looking version of Jabba appeared in STAR WARS #2 in a scene that was shot for “A New Hope,” cut out and later added in to the Special Edition. Before all that, though, he was a name in a script that Howard Chaykin drew in issue #2.

Thanks to some help from a bio-weapon called the Stone Mite, the Millennium Falcon escaped from Jabba’s onslaught. Before taking off at light speed, though, they received a distress call from Jabba who said his ship had been overrun with the acid-emitting creatures. Solo, always looking to take advantage of the situation, made the crime boss an offer he couldn’t refuse: erase their debt in exchange for a ride home. Not wanting to look too eager, Jabba hung around for a while, but eventually took the deal!

Star Wars (1977) #28

• Published: July 24, 1979
• Added to Marvel Unlimited: April 15, 2015
• Rating: All Ages
• Writer: Archie Goodwin
• Cover Artist: Carmine Infantino

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Moving along to issue #29, we returned to the adventures of the cyborg bounty hunter who hated droids known as Valance, who first appeared in STAR WARS #16, but had a change of heart in #27 that made him not want to throw Luke Skywalker and his droid pals to the wolves, otherwise known as the Empire.

Valance, otherwise known as Hunter, even tracked down Rebel deserter Tyler Lucian to stop him from revealing Skywalker’s name to Vader as the person responsible for destroying the Death Star. This led to a battle between the two individuals over the ravaged Rubyflame Lake that only one walked away from. Still, Hunter’s efforts inspired Lucian to protect the name by taking a flying leap in the lake himself.

Finally, issue #30 focused on a Princess Leia solo mission to the factory planet of Metalorn, which the Empire brought its enslaved workforce to. Leia snuck and blasted her way into the place in order to chat to fellow Alderaanian Professor Arn Horada about the Rebellion, which the Empire had completely excised from factory talk. Though Horada proved less than willing, Leia’s resilience and power in the face of the villains—including Baron Tagge from STAR WARS #25 and #26—proved an inspiration to some of the others.

Leia put it best herself at the very end of the issue: “He and others there needed to be shown there was a Rebellion…to see that its leaders survive and continue the fight…to give Metalorn what it’s been lacking before—hope.”

From the Jedi Temple Archives

Around this same time in 1979, Chris Claremont, Mike Vosburg, and Steve Leialoha joined forces to produce STAR WARS ANNUAL #1. Set around the time of the above issues, this story featured Han, Chew, Leia, Luke, and the droids all traveling together in the Millennium Falcon. While stopping at a bazaar on Tirahnn, Luke and Leia ran afoul of the Majestrix of Skye who also happened to have beef with Han Solo and his one-time partner Katya M’Buele. After a tragic attack, Solo flew the Falcon to Skye to settle his old score with the Majestrix. In the ensuing battle, Luke and Leia donned S.H.I.E.L.D.-esque flight suits that allowed the former to participate in a mid-air lightsaber battle and the latter to storm an incredibly high castle!

Next time, Jason Aaron, Simone Bianchi and Stuart Immonen continue fleshing out the universe in STAR WARS #7-12.

How can you not love Black Bolt? A king with a power so huge he has to almost constantly hold it back; a power that forces him to stay silent and keeps him always a little shrouded in mystery.

If you love the one-time ruler of the Inhumans like we do, you’re in luck, because he will shortly have his own series: BLACK BOLT beginning in May of 2017. We caught up with writer Saladin Ahmed—who will team with artist Christian Ward—to give us some insight into his process of chronicling this intriguing character.

Marvel.com: You have an impressive resume as a writer of fiction and poetry. This is your first time transitioning into comics. Can you tell us a little about that experience? Any differences or similarities?

Saladin Ahmed: I’ve definitely enjoyed the collaboration aspect. Writing a novel involves you, sitting in a room, alone for years, just kind of pounding away, word after word after word. But this feels very different. Comics owe at least as much to the art as the writing, and there has been this back and froth that I’ve really enjoyed. It has inspired me. Also, I’ve found it harder to get stuck when writing comics than it is when writing a novel, because you’ve got artists and editors helping to keep things rolling. And the editor has a very different role. When I write a novel, my editor will look over my stuff, but it’s very much my world that I’ve created. In comics, I’m dealing with the whole Marvel Universe, which includes a lot of moving parts, and my editor, Wil Moss, really helps with that. I’ve enjoyed working with him.

Marvel.com: You write largely fantasy and science-fiction. So your writing seems like a natural fit for a story about the king of the Inhumans. How has that background played into your writing process with this book?

Saladin Ahmed: My training as a fantasy and sci-fi writer really began with Marvel Comics. Reading Marvel stuff when I was six, seven, eight years old, trained me as a writer, even before I read the novels that later became influences for me. Everyone from Jack Kirby and Stan Lee onward, I see as my bread and butter. I’ve found it really interesting to come back to that, in terms of style. My approach to fantasy and science-fiction has a lot of different influences, but a lot of the archetypes that I work with, and a lot of the attention to language, go back to Marvel comics. So now, I get to complete the circle.

Marvel.com: Black Bolt has so much power that he has to hold himself back. So he has an interesting internal conflict. What has it been like writing him?

Saladin Ahmed: I see him as a terrifying challenge for a writer, and a dream for a writer at the same time. Because we don’t hear him speak very much, for the most part, we see him as kind of a blank slate, whom the other characters sort of react to and speak for. And he has this lineage as the strong, silent type. I’ve had fun using those archetypes and stylistic devices, and then bringing it home, so to speak.

Black Bolt by Christian Ward

I won’t give away too much, but one of the major points in the plot involves his power being linked to his speech. And you’ll see the character subjected to things he hasn’t experienced before, in terms of exploring what his powers—and holding them back—mean for him. Also, this is a solo Black Bolt book, although we traditionally see him as part of a team. A lot of his portrayal as a character has involved the ways in which he gets bounced off of the characters around him. So I’ve had fun playing with that in a solo book.

Marvel.com: The Inhumans have enjoyed a bit of a surge lately, with their conflict with the mutants in IvX, Ulysses’ role in Civil War II, and their prominent role on “Marvel’s Agents of S.H.I.E.L.D.” and the upcoming ABC “Marvel’s Inhumans” series. Why do you think audiences find these characters so compelling?

Saladin Ahmed: First, I’ll say that it felt like a wonderful and intense bombshell to suddenly see that the Inhumans will get their own show. I’ve been thinking about Black Bolt very intensely for a while now. I consider him a fan favorite for Marvel nerds, but the general public may not know him as well as they know, say Hulk or Wolverine. And then this announcement goes out, and I see Black Bolt’s face everywhere!

And as far as the Inhumans, I find them compelling because—although this has shifted recently—traditionally, we’ve seen them as a hidden people, and a kind of parallel people. With the X-Men, I consider it integral to their story that they come up in human families and exist within human society. Whereas with the Inhumans, classically—though they’ve seen some changes in the last few years—they have their own society, and Black Bolt serves as the king of these hidden people. Yet, they have very human personalities and dynamics, so they serve as kind of a mirror image of human society, and I think people find that interesting.

Marvel.com: What characters would you like to see Black Bolt interact with in the book?

Saladin Ahmed: I’ve always loved Crusher Creel, the Absorbing Man. And I had the chance to put him into this book, as sort of a protagonist. You’ll see an element of a buddy movie between Crusher and Black Bolt, which I don’t think most people would expect, and I’ve had a lot of fun with that.

BLACK BOLT starts with a scream May 2017 from Saladin Ahmed and Christian Ward!